Readers interested in unique religious and cultural events will like this. I guarantee it. Not the faint-hearted though.

Following his participation in my The Oracles Of Kerala Photo Expedition-Workshop in March, Anthony Pond has been a frequent contributor to The Travel Photographer blog, and his Faith, Frenzy multimedia essay is the most recent of his many audio slideshows I've already featured.

Not only is it his most recent, but I wager it's his best production so far. Tony used a Canon 5DMk2, audio recordings were made with a Zoom H1, and was edited in Lightroom, Audacity, and Final Cut Pro. I'm not a huge fan of merging stills with video footage, but Tony succeeded in merging these two mediums quite seamlessly.

The Oracles of Kodungallur celebrate their festival in the Bhagawati temple, which usually occurs between the months of March and April. It involves sacrifice of cocks and shedding of the Oracles own blood, to appease the goddess Kali and her demons who are said to relish blood offerings.

Anthony Pond worked for more than two decades in the criminal courts in California as an attorney for the Public Defender’s Office. Now pursuing his passion for travel and photography, he travels repeatedly to South East Asia and India, amongst other places, to capture life, the people and the culture.

Well, it started this afternoon...the 5th Foundry Photojournalism Workshop held in Chiang Mai was launched by its co-founder Eric Beecroft , and with a lovely keynote address by Maggie Steber.

The classes will be held at the impressive facilities provided by Chiang Mai University's Faculty of Fine Arts....computer rooms, overhead projectors, amphitheater, you name it...it has.

My first class Multimedia In Storytelling starts Monday morning, and I am to teach how to produce audio slideshows that rival in quality and content more elaborate multimedia productions, using their own images and audio generated in the field, and to produce cogent photo stories under the simulation of publishing deadlines. Some of them have already discussed their project ideas with me, and are quite interesting.

Monday evening, I'm on tap to show my audio slideshow "The Cult of Durga".

Photo Dan Kitwood/Getty Images-Courtesy The Guardian

Can anything dispel the auguries of a Friday 13th better than a Benin Voodoo festival?

Being fascinated by such religious festivals and rituals (the more obscure the better), I was glad to have seen Dan Kitwood's gallery of a Benin Voodoo festival in The Guardian, which also led me to his website/blog on which he lays out further captivating photographs (with better resolution) of Voodoo which also has a slideshow at the bottom of the post.

As seen in the above photograph, the costumes are incredibly colorful...perhaps rivaling the Bhutanese dancers at tsechus in their elaborateness and intricacy of their embroidered designs .

In the tiny West African nation of Benin, Voodoo is and remains the state religion. Incredibly, voodoo has officially been a national religion of Benin since 1996, where more than 60% of the people are said to follow its traditions. Slaves from this corner of Africa brought the religion to the New World, most notably to Haiti.

And while Christianity and Islam in Benin are also practiced, voodoo still influences them. In the voodoo tradition, there's a supreme god, Mahu, and a number of smaller gods or spirits, with whom humans can interact.

Dan Kitwood is a UK photojournalist who, after completing a degree in Fine Art, traveled around South East Asia, Australasia and South America, which triggered a passion for photography. After two years working for the South West News he joined Getty Images in London.

The Hindu festival of Thaipusam is about faith, endurance, mortification and penance. In Malaysia, it's an intensely devotional event which can stretch for 3 or 4 days, and is attended by about a million and a half people each year. It's a time for Hindus of all castes and cultures to be grateful to Murugan, a son of Shiva.

It was brought to Malaysia in the 1800s by Indian immigrants working on Malaysian rubber estates and in its government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks. Not for the faint of heart.

Faith-Thaipusam is a 5 minutes video by a photographer called Luj Moarf who describes himself as a traveller, wandering into the world discovering places and people.

Some of the rituals followed during Thaipusam, including the red garments worn by some of the devotees, reminded me of The Oracles of Kodungallur.

Photo © Kieran Doherty-All Rights Reserved

I really should've posted this yesterday...

Kieran Doherty thought of me as he finished his new gallery Solstice, whose photographs he thought would be suitable for The Travel Photographer blog. He was right...they are.

He has been covering the druids and revelers at Stonehenge during the summer and winter solstices over the past 10 years, and this gallery consists of 31 large sized color photographs of the scenes in that famed site.

Stonehenge is an ancient pre-historic site, and its well known stone monument is believed to have been constructed anywhere from 3000 BC to 2000 BC. It has been a place of worship and celebration at the time of Summer Solstice since time immemorial. In summer, pagans and druids make it a ritual to witness the sunrise on the longest day of the year at the prehistoric site marking the event with unusual rituals and religious ceremonies.

Kieran Doherty is a photojournalist whose career started with the Reuters News Pictures service in London. He remained with Reuters 15 years until resigning his position to undertake commissions in 2008. His photography has taken him to almost every part the world and his work has appeared in all the major international journals and magazines including Time, Newsweek, Der Spiegel, Stern, National Geographic, The New York Times and The Sunday Times magazine.

Photo © Ayush Ranka- All Rights Reserved

"Religious festivals in India are typically explosive affairs, but few pack the surreal punch of Koovagam." 

And so begins a three part article in the India Ink section of The New York Times, which is accompanied by the photographs of Ayush Ranka, an independent photojournalist based in Bangalore.

Ayush just attended the Koovagam Festival and returned with a photo essay (33 photographs) of this annual religious festival for hijras, India’s male-to-female transgendered people.

The festival celebrates the myth of Lord Krishna taking female form in order to marry Aravan, a warrior who fought the Mahabharata War. It is in Koovagam, a small village in Tamil Nadu, that a large number of transgendered people come to worship Aravan, and celebrate the night when Krishna took the form of a woman to become his wife, and then weep in mourning at the news of his death.

Hijras have a long recorded history in the Indian subcontinent, and their culture draws upon the traditions of several religions. However, their goodess is Bahuchara Mata with a temple in Western Gujarat.

Ayush Ranka was selected as one of the top ten short-listed photographers of the Redux Scholarship for the 2009 Foundry Photojournalism Workshop,  and his clients include New York Times, Volvo, UVEX (Germany), Azim Premji Foundation, GQ (India), Financial Times Magazine, Harvard Business Review and Femina Magazine.

Photo © Tewfic El-Sawy

Yesterday saw the penultimate day of the Thirunakkara Festival in Kottayam, which was attended by thousands of worshippers, and is known as Pullivetta. It was a spectacular spectacular event with phenomenal pageantry including a parade of caparisoned elephants and the exchange of parasols.

Getting some of us through the throngs of people was made possible by extremely helpful policemen, who wanted us to get to the best vantage points, and as close to the elephants as possible.

The drumming and sound of cymbals were so loud that I risked rupturing my ear-drums!!!

Photo © Mark Coughlan-All Rights Reserved

Well, I'll be on my way to India in about 24 hours...and what better way to start the trip than by featuring Mark Coughlan's Maha Shivatri's photo gallery?!

A warning though...and perhaps in time of breakfast for my US-based readers. If you have no stomach for viewing ash-smeared sadhus with their testicles lifting piles of stones. look elsewhere. For instance, Mark's Portraits Of A Saint photo gallery, which is much tamer in comparison and consists of the sadhus' portraits. Not a testicle in sight there.

Maha Shivratri is a Hindu festival celebrated every year in reverence of Lord Shiva, and in common with many Hindu religious festivals, sees pilgrims and devotees bathe at sunrise, preferably in the Ganges, and carry pots of water to the temples to bathe the Shiva "linga",  and offer prayers to the sun, Vishnu and Shiva. Unmarried women pray for a husband like Shiva, considered to be the ideal husband.

Mark Coughlan is a documentary travel photographer specializing in global social issues and world events/festivals, who traveled diverse countries such as Myanmar (Burma), Mongolia, Bangladesh, India, Nepal, China, Cambodia and Bolivia amongst others. He photographed some of the world’s greatest festivals and events including two Maha Kumbh Mela festivals (India), Maha Shivaratri (India & Nepal), and Nadam (Mongolia).

Photo © Adnan Abidi/Reuters-All Rights Reserved

I know....I've featured photographs of Lathmar Holi and of the main Holi festival a little too enthusiastically over the past few weeks, but the color is overpowering...and I'm in grey London on my way to India in a couple of days. I'm giving Holi a miss...landing in Delhi a day later, so I'm making up by posting really phenomenal photographs by Adnan Abidi, Manan Vatsyayana, and Kevin Frayer who've done a really great job of documenting this "pre-Holi Holi".

The Big Picture photo blog featured 22 of these photographs....each one better than the other.

Photo © Kevin Frayer-All Rights Reserved

Photo © Jim Shannon-All Rights Reserved

As Holi is about to be celebrated in India (and elsewhere) in just about 10 days, and I know a number of friends are planning to attend its festivities in Vrindavan and elsewhere, I found Jim Shannon's advice and past experience to be both very valuable and sensible, and hope they will as well.

Along with the monochrome photographs of Holi by Toby Devenson (who traveled with Jim to Vrindavan) featured on this blog just yesterday, today's post will provide more than ample inspiration and guidance to those who will experience Holi for the first time.

As Jim writes in his Holi Hunters article which appears in Sidetracked magazine:

"this is one of the few times caste and wealth is forgotten. By the time everyone is covered in dye, it's impossible to tell who is rich or poor".

Jim's advice on how to photograph during Holi, especially in Vrindavan., is a must-read. I noted he photographed in the Banke Bihari temple in that holy town, but urges caution not to cause grave offense by photographing the religious deity itself. He also recommends covering one's face and arms with thick sunblock, which seemed to help in washing the dye off a little more easily. He also recommends wearing a pair of goggles to protect one's eyes from the industrial dyes.

But what about protecting one's photographic gear?? Jim and others suggest the OP/Tech Rain Sleeves which is a polyethylene sleeve made to protect an SLR camera with a lens from dust and inclement weather...and dye powder.

Jim Shannon has traveled and photographed in 42 countries, and his photographs were published by Arte Fotográfica, BBC News, BBC Countryfile Magazine, Guardian Weekend, Lonely Planet, Lonely Planet Magazine, National Geographic Traveler, The New Republic, The Observer, The Sunday Times Travel Magazine, The Daily Telegraph, Time Out, and Wanderlust, amongst others.

Photo © Toby Deveson-All Rights Reserved

Toby Deveson is a brave man. A brave man indeed to have considered shooting one of the most colorful festivals in India in black and white.

And if you consider his biography in which he writes "Toby Deveson has been taking photographs since 1989 when he was given an old Nikkormat and a 24mm lens. After trying a friend's darkroom he set up one of his own in a damp basement and was soon addicted to the alchemy of intoxicating smells and mysterious light. Twenty years later not much has changed. The darkroom is no longer damp but the camera and lens are the same.", you'll conclude he's a very brave photographer.

Choosing to shoot Holi in monochrome as Toby did is very unusual in this day and age. Holi is such a flamboyant festival, filled with explosions of color, that other photographers normally prefer to record its images in natural colors. The photographs on his gallery were made in the Banke Bihari temple of Vrindavan, Mathura, and in its streets.

Perhaps he chose to go against the grain, and didn't want the all powerful colors of Holi to distract the viewers away from the composition of his photographs, or from the shadow and light play or from the forms in his frames.

After all, I adopted the same rationale when I photographed the equally colorful Durga Puja festivities in Kolkata this past October. I also encouraged the participants in The Cult of Durga Photo Workshop to
produce their work in monochrome to better capture the festivities without the intrusion of color. It's a mindset.

Toby Deveson lives and works in London as stills photographer and television cameraman. He has been living in Britain since 1990 when he obtained his degree in photography, painting and music.

Photo © Vanderlei Almeida/Agence France-Presse/Getty Images

Most of the important photo blogs have by now featured images of the Carnival in Rio De Janeiro, and elsewhere... whether  in South and Central America or Europe.

For instance, these large sized photographs appeared on The Sacramento Bee's The Frame, on the Boston Globe's The Big Picture, twice on The Atlantic In Focus and here, as well as on The Wall Street Journal's Photo Journal.

If there's one festival I want to attend and photograph, it's certainly Rio's Carnival. With all its colors, fantastic costumes, wonderful music and utterly gorgeous women, it's unquestionably the most magnetic of the world's festivals. In my view, head and shoulders over its Venetian cousin.

The Carnival in Rio de Janeiro is held before Lent every year, and is considered the biggest carnival in the world with two million people per day on the streets. The first festivals of Rio date back to 1723.

Photo © Jose Cabezas/Agence France-Presse/Getty Images

Yesterday was Ash Wednesday, which according to the Gospels, marks the
beginning of the 40 days period during which Jesus spent fasting in the desert
before the start of his public ministry, and during which he endured temptation
by Satan.

It's quite common in mid-town Manhattan to see Catholics emerging from St Patrick's
Cathedral on Fifth Avenue with smears of ash on their foreheads; traditionally
signifying repentance and mourning.

When I first worked in Manhattan, I had no clue of this and almost telling one of my
colleagues that he had dirt on his forehead...but i caught myself in time when I noticed
others had it as well.

I'm glad Tony Smith has now produced an audio slideshow of his work during the Kolkata's Cult of Durga Photo Expedition/Workshop. The software he used to produce it is ProShow Producer, rather than SoundSlides that I normally use on my workshops. His audio slideshow is divided into chapters or segments which coincied with the different phases of the Durga Puja festival.

Tony is an Associate member of the Royal Photographic Society, and he traveled to Nepal, Bhutan, India, France, China, Spain, Morocco the USA and Canada and the West Coast of Ireland. He has attended Hindu, Christian, Muslim, Buddhist and Gypsy religious and secular festivals..

He worked quite hard during the Kolkata's Cult of Durga Photo Expedition/Workshop to produce his audio slideshow on the festival; however and much to my disappointment, he has not added to it his narrative skills which are enhanced by his precise enunciation. Perhaps that'll happen in a forthcoming iteration?

In the meantime, I suggest you view his blog entry on his experiences at the Durga Puja during the workshop, which also has a number of his photographs of the festival.

"The Hindu festival of Thaipusam is about faith, endurance and penance."

Thaipusam is to occur today 13 kilometres outside the Malaysian capital city, Kuala Lumpur in a sacred Hindu shrine called the Batu Caves...and if my network intelligence is accurate, a group of Asian photographers, such as Mervyn Leong, Maika Elan and Hai Thanh (to mention only a few) are already in place to document it..

The festival of Thaipusam was brought to Malaysia in the 1800s, when Indian immigrants started to work on the Malaysian rubber estates and the government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks. Not for the faint of heart.

This Thaipusam trailer's direction, cinematography and editing is by Dick Chua, the production coordinator is Kah Hooi Lai, the production assistants are Gary Chuah and CH Tan.

Photo © AP / Rajesh Kumar Singh- All Rights Reserved 

The Sacramento Bee's The Frame brings us more than 30 large sized photographs of the Magh Mela.

The Magh Mela is one of the greatest annual religious pilgrimages for Hindus. In Hindu mythology, the Magh Mela's origin is said to be the beginning of the universe. It's held every year on the banks of Triveni Sangam (the confluence of the three great rivers Ganga, Yamuna and Saraswati) in Allahabad (UP).

The holy pilgrimage and festival is organized every year during the Hindu month of Magh (mid January - mid February), and is a smaller version of Kumbh Mela.

One of the photographs featured by The Frame is of the pontoon bridges that allow the pilgrims to cross to the area of the Sangam, and it reminds me (so very vividly) of my pre-dawn walks on these very same bridges during the Maha Kumbh Mela of 2001. I can still feel the sensation of being in the midst of a moving "caterpillar" of thousands of people. It was an indescribable thrill of being in such an environment with a multitude of opportunities to photograph the spectacular characters who attend such religious gatherings, that I described as "ascetics, mendicants, mystics, beggars and charlatans".

Stop a moment in sympathy at the photograph in The Frame's series in which a woman weeping as she searches for her son in the massive crowd gathering of the Magh Mela. I witnessed such scenes in 2001, and they're heart-rending. However, I was told that the majority of lost children are reunited with their families.

Photo © Mark Ralston/AFP/Getty Images-Courtesy Al Jazeera

Ethnic Chinese, Koreans and Vietnamese across Asia are ringing in the Year of the Dragon with fireworks, festivals and family reunions. Legend has it that Chinese people descended from a dragon, and it's believed the powerful creature is auspicious. The tradition dictates that those born in Dragon years tend to be brave, innovative and highly driven, regularly making it to the top of their profession. In China, the holiday is known as 春节, the Spring Festival, and kicks off 15 days of celebration.

Al Jazeera's In Pictures, The Atlantic's In Focus, The Boston Globe's The Big Picture and the Los Angeles Time's Framework featured photo galleries of the celebrations all over the world.

Photo © Rungroj Yongrit/EPA-Courtesy LAT

I wish all the very best to my friends and readers in Asia and elsewhere who celebrate the Year of the Dragon.

In New York City's Chinatown, a Lunar New Year parade is scheduled for January 29 on Canal Street South from 11:30 to 4 pm. I bet many photographers will be there!!

Photo © Altaf Qadri/AP-All Rights Reserved

Damn! Why haven't I been to Bodh Gaya?!!! Afer seeing these wonderful photographs of the Buddhist event in the northern state of Bihar as featured by The Big Picture, what else can I say?

Kalachakra is an ancient ritual that involves a series of prayers, meditations, dances, chants, vows and the construction of a large sand mandala - all with the aim to bring world peace. It refers to the philosophies and meditation practices contained within the Kalachakra Tantra and its many commentaries. Bodhgaya is one of the holy Buddhist pilgrimage sites where the Buddha manifested enlightenment.

In 2012, the event began on January 1 and lasted for ten days in the northern Indian state of Bihar. The present Dalai Lama has given over thirty Kalachakra initiations all over the world, and is the most prominent Kalachakra lineage holder alive today.

Photo © Mitchell Kanashkevich: All Rights Reserved

 "Lalibela is Ethiopia’s answer to Jerusalem."

Most of my readers will know who Mitchell Kanashkevich is; either because they read his blog as well, or because they're read some of my posts about his work.

He's currently in Northern Ethiopia, whizzing along its bumpy roads on a motorcycle (yes, he's hardcore in that way), and has attended the Orthodox Christmas celebrations in Lalibela, which he correctly describes as the Ethiopia's Jerusalem. During his stay there, he made gorgeous photographs which are on his blog.

Lalibela is one of Ethiopia's holiest cities, second only to Aksum, and is a center of pilgrimage for much of the country. Unlike Aksum, the population of Lalibela is almost completely Ethiopian Orthodox Christian. The town is famous for its churches hewn out the rock, which are thought to have been built in the 12th and 13th centuries. All told, there are 13 churches, assembled in four groups. Orthodox Christianity became the established church of the Ethiopian Kingdom in the 4th century through the efforts of a Syrian Greek monk.

Reading through Mitchell's blog entry, I pause at his statement that tourists' behavior, such as giving out of money for photos, is leading some devotees to beg for money after being photographed. Having been in Lalibela and Northern Ethiopia in 2004, I was relieved then that this was not my experience...devotees, deacons and priests welcomed my photographing them with no demands. However, I am not surprised at all this has changed with all the influx of tourists who don't know any better...or don't care.

Like Mitchell, I refuse to hand out money for photographs...unless (and that's an important qualifier) I specifically ask the subject(s) I want to photograph to go somewhere else with me, and there set them up for a photo shoot. In this case, I consider these people as models whose time I've taken, and some modest monetary payment ought to be in order. Now, like Mitchell as well, I mostly photograph documentary-style, so this is the infrequent exception.

Photo © Anita Baca-All Rights Reserved

Did I realize that the church of Our Lady of Guadalupe on 14th Street (not far from where I live in New York City) would commemorate one of Mexico's most important religious holidays this past Monday? Of course not. I only find out stuff like that after the fact.

However, The Frame of The Sacramento Bee has featured 17 photographs of the celebration of this popular religious festival in Mexico City when millions make the pilgrimage to honor the dark-skinned virgin, said to have appeared to an Indian peasant on Dec. 12, 1531.

According to the captions accopmpanying the images, an estimated 5 million people from across Mexico arrived at the basilica Monday carrying large frames, wooden sculptures and ceramic statues of the virgin on their backs. The Nuestra Señora de Guadalupe is recognized as a symbol of all Catholic Mexicans.

I chose to feature Anita Baca's photograph (above) showing a pilgrim who journeyed by foot from the state of Hidalgo, posing for a photo in front of the image of Our Lady of Guadalupe, while a fellow pilgrim stands by, not only for its colors but for its composition. Notice how the curve of the dark sombrero matches the curve of the icon.

My main project that came to be from the Kolkata's Cult of Durga Photo~Expedition & Workshop™ which I led and organized is The Cult of Durga.

In contrast to my previous audio slideshows that on average are 3 minutes in length, The Cult of Durga is long...it's just over 5 minutes. I also broke a few of my own rules with it. Using the Ken Burns effect on a couple of occasions is one of the most obvious. I decided against a tighter edit,  thinking that reducing the number of photographs would've eliminated some important components. So I left it as I produced it in Kolkata.

Durga Puja is an annual Hindu festival in South Asia that celebrates worship of the Hindu goddess Durga. It's the most important religious and social event in Kolkata. It involves a series of rituals which start from the production of effigies, building of the pandals, offerings of flower and worship, and then finally immersion of the effigies in the Ganges.

The Durga Puja event is celebrated over no less than ten days, but it's the last four days – Saptami, Ashtami, Navami and Dashami – that are celebrated with considerable joy and fanfare when the ten armed goddess riding the lion and slaying evil is worshipped with immense zeal and devotion.

This documentary audio slideshow starts with the fashioning of the effigies of Durga which is supervised by certain rites and rules, which include that the clay used for these effigies must be collected from the banks of the Ganges. It then follows the transport of the effigies to the pandals and homes. I also photographed the dhakis, the traditional drummers who accompany the effigies to the pandals, then it was the "kala-bau" snan processions to the Ganges where banana plants are cleaned and draped in a cloth along with nine types of leaves, and on to the last day of the festival when the Durga effigies are brought back to the river for their final immersions symbolizing the goddess' return to her abode in the Himalayas.

And for those who are interested in that kind of stuff, I used a Leica M9, a 5D Mark II and a 7D. The audio was recorded with a Marantz PMD 620.