Photo © Chico Sanchez- All Rights Reserved

As part of the celebrations in honor of the Virgin of Carmen, residents from Oaxaca state's eight regions travel every year to the capital to offer traditional dances, while the residents from Carmen Alto and Carmen Bajo neighborhoods participate in banquets, offerings and processions throughout the city....and this is how Chico Sanchez describes his latest audio-slideshow Deep Friendship.

The Guelaguetza is an annual indigenous cultural event in Mexico that takes place in the city of Oaxaca as well as in nearby villages. The word Guelaguetza means "offering" in the Zapotec language, but its means much more. In traditional Oaxacan villages, people attending the festivities bring food, alcoholic beverages, etc. Each person's offering, or "guelaguetza" triggers a reciprocal exchange, and enables the reinforcement of social ties.

Chico Sanchez is far from being a stranger to The Travel Photographer's blog. His audio-slideshow work has been featured on it on many occasions.

He is a freelance photographer based in Mexico City. Chico worked in Venezuela, collaborating with Reuters, European Pressphoto Agency, Agencia EFE, and freelances for various newspapers and magazines.

Photo © Budi N.D. Dharmawan-All Rights Reserved

Ketoprak is a theatrical genre of Java in Indonesia which features actors and performers who sing to the accompaniment of the gamelan. It draws its stories from Javanese history and romances, and in that respect is different from the wayang kulit (shadow puppets) which are based on stories from the Hindu epics.

Ketoprak was created by a Surakarta court official in 1914, evolved into a spoken drama of Javanese and Islamic history but with the modernisation brought along with television and videos, it has lost much of its popularity, and the younger generation has lost interest in traditional folk/cultural arts.

Budi N.D. Dharmawan is is an Indonesian documentary photographer, with interest in social, humanitarian, and cultural issues. His Staged Life gallery documents a ketroprak troupe which he followed.

He describes this experience very eloquently: 

"It is a story of poverty, which is widespread across Indonesia, a country that has been celebrating economic growth in the past decade. It is unimaginable that these people can live on less than USD 10 a month, but yet it is very real. It is a story of people practicing a form of art that younger generation no longer cares about, not necessarily in order to preserve it, but because it is their way to make ends meet. It is a story of life, both on-stage and also off-stage, which somehow feels like it is just another stage to perform."

I haven't attended a ketoprak performance, but i did photograph an Arja performance in Bali. Arja enacts old stories mainly based on the Panji Romances (11-14th centuries) and uses dialogue understood only by Balinese-speaking audiences. Many of the stories derived from Balinese tales, Chinese and Arabic, and from the Mahabharata and Ramayana.

Photo Dan Kitwood/Getty Images-Courtesy The Guardian

Can anything dispel the auguries of a Friday 13th better than a Benin Voodoo festival?

Being fascinated by such religious festivals and rituals (the more obscure the better), I was glad to have seen Dan Kitwood's gallery of a Benin Voodoo festival in The Guardian, which also led me to his website/blog on which he lays out further captivating photographs (with better resolution) of Voodoo which also has a slideshow at the bottom of the post.

As seen in the above photograph, the costumes are incredibly colorful...perhaps rivaling the Bhutanese dancers at tsechus in their elaborateness and intricacy of their embroidered designs .

In the tiny West African nation of Benin, Voodoo is and remains the state religion. Incredibly, voodoo has officially been a national religion of Benin since 1996, where more than 60% of the people are said to follow its traditions. Slaves from this corner of Africa brought the religion to the New World, most notably to Haiti.

And while Christianity and Islam in Benin are also practiced, voodoo still influences them. In the voodoo tradition, there's a supreme god, Mahu, and a number of smaller gods or spirits, with whom humans can interact.

Dan Kitwood is a UK photojournalist who, after completing a degree in Fine Art, traveled around South East Asia, Australasia and South America, which triggered a passion for photography. After two years working for the South West News he joined Getty Images in London.

Photo © Oded Balilty-Courtesy TIME Lightbox

“On the weekend, they are in those protests, but other than that, they are totally normal people..."

"But other than that...? Is the implication in this qualifiying sentence that these Palestinians are not normal because they protest against the Israeli illegal occupation? I hope not.

But let's stray from politics for a while, and just focus on Oded Balilty's excellent photographs of seven Palestinian protestors as featured by TIME Lightbox a couple of weeks ago.

I featured Balilty's work on other occasions on this blog, and admire his work, especially his photographs of Jewish ultra orthodox communities, traditional Hasidic Jewish weddings, and preparations for Passover.  He is based in Tel Aviv as an Associated Press photographer and frequently photographs the ongoing "friction" between Israelis and Palestinians.
For these posed portraits, Balilty enlisted the help of his colleague, Nasser Shiyoukhi, the AP’s Palestinian photographer from the West Bank.

Perhaps it would've been even better had both Balilty and Shiyoukhi collaborated on this project...we may have seen a difference perspective in the setting up of the photographs.

Photo © Kevin Wy Lee-All Rights Reserved

"...a fortune teller told my grandparents that demon gods wished harm upon their first-born son. So when my father, the only son in the family, was born, they named him Pak Noi – Hundred Daughters – to fool the demon gods."

Kevin WY Lee is a photographer based in Singapore, whose creative work was honed in Australia and Singapore for more than 15 years. He's the founder of Invisible Photographer Asia (IPA); a well known multi-faceted platform for Street Photography & Visual Journalism in Asia. He also participated as a judge for various creative and photography awards including Singapore Creative Circle Awards, Angkor Photo Workshop, and KLPhotoawards.

Kevin's just recently featured a fascinating photo essay which chronicles the return of his father to his  ancestral home in Zhaolong Li (mainland China) after a prolonged absence of almost 56 years. He was accompanied by his wife, his sisters and families as well as his only son, Kevin...who documented this incredibly touching and intimate experience, and recorded it for posterity.

Because of a fortune teller's tale, Kevin's father was named Pak Noi (Hundred Daughters), and it's utterly appropriate it's also the title of this very well done photo essay.

As I'm fond of stressing in my multimedia classes, a photo essay of that type is always successful if it has two main ingredients: access and intimacy. The Return of Hundred Daughters certainly has both.

I only wish it had an accompanying audio track to it...but perhaps not having one was a conscious decision by the photographer.

Photo © Brijesh Patel-All Rights Reserved

Not too dissimilar from my previous post, here is another photo essay about disintegrating mansions and dwellings.

McCluskieganj was founded by the Colonisation Society of India in 1933 as a homeland for Anglo-Indians. In 1932 Ernest Timothy McCluskie, the founder of the town, invited some 200,000 Anglo-Indians in India to settle there. Of the nearly 250 original families, only 20 remain, as most of the Anglo-Indian community left after World War II, and the once spatial mansions are overgrown with jungle growth, and it's difficult to imagine that McCluskieganj was a paradise for mixed-race children of the British empire.

Brijesh Patel was born in Gujarat, and moved to the UK during his childhood. He enrolled at LCC for a Masters in photography, and awards from The Guardian, and the Winston Churchill Foundation supported his work in the UK and in India.

His McCluskieganj photo essay is one amongst many of his books that are hand made.

There are an estimated 80,000-125,000 Anglo-Indians living in India, most of whom are based in the large cities of Delhi, Kolkata, Chennai, Bangalore, Hyderabad, Kanpur, Mumbai and Tiruchirapalli. Some also live in Kochi, Goa, Pune, Secunderabad, Visakhapatnam, Lucknow, Agra, and in some towns of Bihar, Jharkhand and West Bengal.

Researching the subject, I chanced on this recent article in The Economist about Rita McDonald, an elderly Anglo-Indian who "...eats bacon and eggs for breakfast, speaks precise English and, though she has lived all her life in India, knows little Hindi or Bengali. Yet her home, hung with yellowing photographs of Queen Elizabeth and the late Diana, Princess of Wales, is thick with tales of poverty and loss."

Perhaps one of my photographer friends in Kolkata would be interested in taking this up? Imagine it as an audio slideshow!

Photo © Xenia Nikolskaya-All Rights Reserved

From afar, it seems Egypt and its people are still waiting to exhale since its popular uprising against the Mubarak regime, and 60 years of dictatorships...and whilst I try my best to counter the lay neo-cons and the agenda-driven commentators who write absurd comments about its current events and future in The New York Times by writing my own points of view (and they all get featured without fail), I fear the internal political situation in Egypt is murky, and will remain unsettled for the near future ...and that's an immense understatement.

So Xenia Nikolskaya's work on the UK's Daily Telegraph suffused me with mixed feelings. Dust is a good title for her photographs of buildings built after the Suez Canal opened in 1869, and before Nasser came to power in 1954, introducing sequestration decrees that would send many of the wealthy elite into exile.

The buildings, mansions, movie theaters, and retails stores that are depicted in Xenia's Dust have mostly fallen into disrepair. Due to long standing governmental rent-control policies, these once ornate and grandiose buildings were left to rot, with no repairs or maintenance done, as landlords weren't making money from them.

I recall the names of some of them....Radio Cinema ( I watched movies there, at a time when I was careful to count my change as the women at the ticket had the habit of "rounding" it in their favor), Sakakini Palace, Sarageldine Palace, while others are unknown to me.

Xenia Nikolskaya graduated from the Academy of Art in St Petersburg and then went on to study at the Royal Danish Academy of Fine Arts, Copenhagen. She has worked as a professional photographer since 1995, and became a member of the Russian Art Union in 2001. She first came to Egypt in 2003 as part of a Russian archaeological mission.

Photo © Joshua Cogan-All Rights Reserved

"...I took to the road with a mission: to document vanishing cultures and enrich our understanding of social issue through photography and new media."

Joshua Cogan is a prolific documentarian of cultures, and anthropologist, an interactive producer and a storyteller, whose website has numerous galleries including my favorite, which he titles as In God's Own Land (a more appropriate title than The Last Jews Of Cochin) as it has images of Kerala, whose tourism soubriquet is God's Own Country.

The Cochin Jews, also known as Malabar Jews are the oldest group of Jews in India, who migrated mto India after the fall of Jerusalem in 70 CE. The Jewish area of Mattancherry, the area around its synagogue was once the centre of Cochin jewry, but there are just nine surviving members of the community, all of them over the age of 75, except one.

The surviving members are fluent Malayalam speakers, and follow Jewish customs and rituals diligently.

In addition to Joshua Cogan's galleries on his website, I would point you to an interview made with The Asia Society regarding the forced resettling of the artists living in the Kathputli Colony by the Delhi Development Authority as part of a new housing scheme. New Delhi’s Kathputli Colony has functioned as an artists’ colony for close to 50 years.

The interview is with Joshua Cogan and two of his colleagues, who have recently completed shooting their first documentary, Tomorrow We Disappear, about the Kathputli Colony's resettlement.

Photo © Kieran Doherty-All Rights Reserved

I really should've posted this yesterday...

Kieran Doherty thought of me as he finished his new gallery Solstice, whose photographs he thought would be suitable for The Travel Photographer blog. He was right...they are.

He has been covering the druids and revelers at Stonehenge during the summer and winter solstices over the past 10 years, and this gallery consists of 31 large sized color photographs of the scenes in that famed site.

Stonehenge is an ancient pre-historic site, and its well known stone monument is believed to have been constructed anywhere from 3000 BC to 2000 BC. It has been a place of worship and celebration at the time of Summer Solstice since time immemorial. In summer, pagans and druids make it a ritual to witness the sunrise on the longest day of the year at the prehistoric site marking the event with unusual rituals and religious ceremonies.

Kieran Doherty is a photojournalist whose career started with the Reuters News Pictures service in London. He remained with Reuters 15 years until resigning his position to undertake commissions in 2008. His photography has taken him to almost every part the world and his work has appeared in all the major international journals and magazines including Time, Newsweek, Der Spiegel, Stern, National Geographic, The New York Times and The Sunday Times magazine.

Photo © Matthew Oldfield-All Rights Reserved

"Kecak dance involves a chorus of chanting men dressed in checked cloth, who build a percussive vocal rhythm that has its roots in the Sanghyang trance-inducing exorcism dance."

Matthew Oldfield  tells us he attended a unique Kecak performance in Bali led by Pak Reno who has been developing his own version of the Kecak dance over several decades, and his chorus performs a much looser version of the typical, choreographed story. No two performances are alike and guests are never sure what will happen.

The Kecak music performance is not accompanied by any music instruments, but by a chorus of around 50 to 100 men. Kecak has roots in sanghyang, a trance-inducing exorcism dance.

I've been to Bali a handful of times, and attended Kecak performances in different spots on the island, notably in Ubud and Nusa Dua, however these were performances designed for tourists. The one attended by Matthew seemed to have been non commercial, and only 7 spectators attended it.

Kecak is a form of Balinese dance and music drama, originated in Bali and is performed primarily by men,  A German painter and musician got interested in the ritual while living in Bali in the 1930s and worked to recreate it into a drama, based on the Hindu Ramayana.

Matthew is a freelance photographer based in South East Asia, specialising in editorial and documentary images. He's been involved in both photography and the environment since 1993. He's had articles published in Asian Geographic, Asian Diver, Scuba Diver Australasia, FiNS Magazine and Scuba Globe, and photo credits in a huge variety of publications.

Tom Bourdon, a fellow travel photographer, referred Matthew's work to me and we both agree that these high quality photographs would have been enhanced had it been accompanied by the incredible music and sounds of the Kecak in a simple multimedia photo essay.

Photo © Eric Kruszewski-All Rights Reserved

Eric Kruszewski's Cuba gallery made me yearn to revisit Cuba having been there on a week's photo workshop over 10 years ago.

It's heaven for street photographers...Just look at the photograph above, and see how he compartmentalized the scene using the columns and the scaffoldings. You'll see others in the gallery, including nicely composed scenes of youngsters playing street baseball.

An engineering vocation took Eric to perform construction assessments in in former Soviet Union countries such as Kazakhstan, Uzbekistan and Georgia. It was there that he started to pick a camera to share what he saw and experienced. In mid-2010, he returned to the USA to evolve his craft, develop personal projects, and discover opportunities to share stories with a larger audience. He began pursuing photography full-time earlier this year.

Don't miss Eric's poignant documentary movie on Courtney Gilmour, whose birth defects are consistent with exposure to pollutants during her mother's pregnancy.

Photo © Rebecca Conway-All Rights Reserved

Readers of my blog and others in the photography community know that I'm fascinated by the syncreticism, or the combination of conflicting beliefs, in South Asia especially between Sufism and Hinduism. So I was doubly pleased to view Rebecca Conway's Exorcising The Jinn photo gallery of images made at the shrine of a Sufi saint, Hazrat Abdullah Shah Ashabi, in Thatta, in the Sindh province of Pakistan.

Rebecca is a British freelance photojournalist with Global Radio News, Reuters, in Pakistan. She has also photographed for PBS' Frontline.

I also liked her photo essay on the Kailash community who are indigenous people residing in the Chitral District of Khyber-Pakhtunkhwa province of Pakistan.

Sufis brought their brand of Islam to the Indian subcontinent by walking from the west; from Afghanistan and Iran. These Sufi ascetics walked around India, and eventually settled in towns and villages, counseling and helping people. These ascetics became saints or “pirs” as they’re called. When the ascetics died, their tombs became dargahs, or sacred shrines. It's at one of those shrines that Exorcising The Jinn's photographs were made.

Notwithstanding what our current Western beliefs are, the jinn (or genies) are supernatural creatures  mentioned in the Qur'an, and often referred to in Arab folklore and Islamic mythology.

Photo © Stephen Dupont-All Rights Reserved

I really liked these two photographic essays of Polaroids made in the Mumbai slum Dharavi and the Senen slum of Jakarta by Stephen Dupont, an Australian photographer.

Dharavi is one of the world's largest slum and lies on prime real estate in the middle of India's financial capital, Mumbai and has a population estimated to be 1 million. Many businesses flourish in this slum, such as traditional pottery and textiles, a recycling industry, which generate an estimated $650 million turnover a year.

As for the Senen slum, it's a trackside slum in central Jakarta. It's also a center for recycling, and its inhabitants live cheek to jowl with the thundering trains.

Stephen Dupont has produced a photographs of fragile cultures and marginalized peoples, which capture the human dignity of his subjects, and do so with great intimacy and often in some of the world’s most dangerous regions. His work has earned him prestigious prizes, including a Robert Capa Gold Medal citation from the Overseas Press Club of America; a Bayeux War Correspondent’s Prize; and first places in the World Press Photo, Pictures of the Year International, the Australian Walkleys, and Leica/CCP Documentary Award.

His work has been featured in The New Yorker, Aperture, Newsweek, Time, GQ, Esquire, French and German GEO, Le Figaro, Liberation, The Sunday Times Magazine, The Independent, The Guardian, The New York Times Magazine, Stern, The Australian Financial Review Magazine, and Vanity Fair.

He has held major exhibitions in London, Paris, New York, Sydney, Canberra, Tokyo, and Shanghai, and at Perpignan’s Visa Pour L’Image, China’s Ping Yao and Holland’s Noorderlicht festivals.

Photo © Chico Sanchez-All Rights Reserved

To break the recent string of India and Asia related posts, here is The Dresser, an audio slideshow by Chico Sanchez, a freelance photographer based in Mexico City.

The Dresser is Cesar Diaz, a professional dresser (el vestidor in Spanish) of religious icons, from Jerez de la Frontera, Cadiz, Spain. In this audio slideshow, Cesar demonstrates how he prepares Our Lady of Sorrows for an Easter Holy Week celebration in the village of Prado del Rey, in Andalusia, Spain.

I've featured the work of Chico Sanchez, a freelance photographer based in Mexico City, on a number of occasions. Chico worked in Venezuela, collaborating with Reuters, European Pressphoto Agency, Agencia EFE, and currently freelances for various newspapers and magazines.

Photo © Kevin Frayer-All Rights Reserved

I've been waiting for coverage of this event! Just look at this flamboyant character!!!

The Sacramento Bee's photo blog The Frame features Kevin Frayer's remarkable photographs made during a major Sufi Muslim Urs festival in Rajasthan.

It starts off the series of these 36 photographs telling us that thousands of Sufi devotees from different parts of India annually travel to the shrine of Sufi Muslim saint Hazrat Khwaja Muinuddin Chishti, in Ajmer, in the Indian state of Rajasthan for the annual Urs festival observed to mark his death anniversary.

Along with other photographers, I've been photographing the Sufi traditions in South Asia for a while, especially trying to underscore the syncretic elements of this tradition with Hindusim, but to my chagrin I haven't been to this festival as yet...although I was in Ajmer a number of times.

Moinuddin Chishti is the more famous and revered Sufi saint of the Chisti order of the Indian Subcontinent. He was born in 1141 and died in 1230 CE, and is believed to be a descendant of the Prophet Muhammed. He interpreted religion in terms of human service and exhorted his disciples "to develop river-like generosity, sun-like affection and earth-like hospitality."

I cannot help but to piggyback this feature by adding my own work on The Possessed of Mira Datar; an audio slideshow of black & white photographs made at one of the most famous shrines (or dargahs) in Gujarat. The still photographs of this audio slideshow were presented at the Angkor Photo Festival last November.

And for those who follow my posts for clues to my future photo expeditions-workshops, this may well be one for 2013. It'll be as intense as the Oracles of Kali's festival, the focus of my most recent photo expedition in Kerala this past March.

"Let all the infidels become Muslims"

Here's a wonderful short (too short!) video made by Elissa Bogos in a tea house in Afghanistan on 11.11.11 for One Day on Earth.

I describe it as wonderful, not because of the unfortunate intolerance expressed by the old man towards the end of the clip, but because it's beautifully filmed, because of its ambience and because of the music. I wished the clip had been much longer, and that it tarried longer with the "poets" who recited traditional verses (and expressed their gripes), and that it lingered around the corners of the tea house.

Elissa Bogos is a freelance photojournalist and videojournalist based in Kabul, Afghanistan. She was the editor-in-chief of The Sakhalin Times, an English language weekly in the Russian Far East.

Her photographs and videos were published in The New York Times, BBC, The Guardian, EurasiaNet, The Huffington Post, The Montreal Gazette, Reuters, New York Daily News and in other media. In Afghanistan, she freelances for a variety of NGOs and private companies and has worked with the Associated Press, Tolo TV and Channel One TV.

Photo © Diana Markosian-All Rights Reserved

An interesting glimpse in an area that a relatively few are really familiar with...Chechnya, was recently featured by TIME Lightbox.

Diana Markosian's Goodbye My Chechnya is such a glimpse into the lives of young Chechen women who witnessed the horrors of two wars, and are coming of age in a country that is rapidly rediscovering its Muslim laws and traditions.

It's particularly interesting to view Diana's photographs of these Chechen women and their traditions and compare them to Oded Balilty's photographs of the Jewish ultra orthodox communities, which included a series on a traditional Hasidic Jewish wedding.

Two separate religious traditions, often at odds with each other....and yet similar in so many ways. And as both photo essays are made of such compelling photographs, that the comparison between the two from an aesthetic point of view bring this point very clearly to the forefront.

According to Diana Markosian,  Chechnya is experiencing a wave of Islamicization since the collapse of the Soviet Union.  Religious dress codes are the rule, young (and polygamous) marriages are frequent and gender roles are increasingly conservative.

Photo © Ayush Ranka- All Rights Reserved

"Religious festivals in India are typically explosive affairs, but few pack the surreal punch of Koovagam." 

And so begins a three part article in the India Ink section of The New York Times, which is accompanied by the photographs of Ayush Ranka, an independent photojournalist based in Bangalore.

Ayush just attended the Koovagam Festival and returned with a photo essay (33 photographs) of this annual religious festival for hijras, India’s male-to-female transgendered people.

The festival celebrates the myth of Lord Krishna taking female form in order to marry Aravan, a warrior who fought the Mahabharata War. It is in Koovagam, a small village in Tamil Nadu, that a large number of transgendered people come to worship Aravan, and celebrate the night when Krishna took the form of a woman to become his wife, and then weep in mourning at the news of his death.

Hijras have a long recorded history in the Indian subcontinent, and their culture draws upon the traditions of several religions. However, their goodess is Bahuchara Mata with a temple in Western Gujarat.

Ayush Ranka was selected as one of the top ten short-listed photographers of the Redux Scholarship for the 2009 Foundry Photojournalism Workshop,  and his clients include New York Times, Volvo, UVEX (Germany), Azim Premji Foundation, GQ (India), Financial Times Magazine, Harvard Business Review and Femina Magazine.

Photo © Lisa Wiltse-All Rights Reserved

In Bangladesh, on the banks of the Padma River, is the village of Dauladtia. It is here that the largest brothel in the country thrives , with over 2000 servicing 3000 men every day. The sex workers have usually been kidnapped by gangs, sold by their families or step families or tricked with promises of good jobs. It's estimated that there are 100,000 women selling sex in Bangladesh.

It is here that Lisa Wiltse photographed her photo essay Daulatdia Brothel, and documented the atrociaous practice of procuring a drug called Oredexon, a “cow-fattening” steroid to underage girls, in order to make them plumper and look older, despite the dangerous side effects on their health.

Lisa Wiltse is an American photographer who moved to Sydney, Australia where she worked as a staff photographer for the Sydney Morning Herald until 2008, when she moved to La Paz, Bolivia to pursue her freelance career.

Her photography has been recognized by Photo District News, the National Press Photographers Association, Sony awards, and is the recipient of The Walkley award in Australia, among others. Her work been published in The Sydney Morning Herald,The FADER, Time Magazine, Internazionale, Private photo review, The Sun magazine and The Australian Financial Review.

Here's a movie -or what photographer Dougie Wallace calls- a "photo film" on Kolkata's unorganized (aka chaotic) transport modes. He has chosen to show us the tram drivers, the rickshaw pullers, the yellow taxis, the passengers, the pedestrian and vehicular traffic that criss-crosses this teeming city along with a soundtrack (produced by Rosie Webb) that just pulsates and throbs.

The buses, the most commonly used mode of transport, are run by government agencies and private operators, and as the photo film describes them, are haphazard to say the least. Kolkata is the only Indian city with a tram network, which I've greatly enjoyed when I was there last October. Almost all of Kolkata's taxis I have seen were old Ambassador cars, with little if any modern amenities. Hand-pulled rickshaws are extensively used by the public for short trips.

 Dougie Wallace is London based but grew up in Glasgow. He lived in east London for 15 years but spends a lot of time travelling abroad. I suggest you view his project titled Reflections On Life which features scenes from the daily commute in a number of cities ranging from Lisbon, Egypt and Eastern Europe, including Sarajevo, Ukraine and Albania.