Photo © Maika Elan-All Rights Reserved

Here's the work of Maika Elan titled Ain't Talkin', Just Lovin', which -in my view- is one of the three photo projects that attracted me the most during the final evening of the Foundry Photojournalism Workshop in Chiang Mai.

Maika attended Maggie Steber's (known as "the incomparable Maggie") class The Power of Images in Today’s Media, and presented a photo essay depicting individuals living in Chiang Mai with close bonds to their animal friends. Whether these were cats and dogs, or exotic snakes, the mutual relationship and dependency between the two were brilliantly captured by Maika's lens.

While this photo essay most certainly stands firmly on its own two (or is it four in this case?) feet, I somehow wished it had been accompanied by an ambient soundtrack; perhaps a short snippet of a conversation between the young man and his cat purring...as an example. Imagine that!?

Maggie Steber used a wonderful phrase in one of our recent email exchanges...we (the photographers) need to go beyond the tyranny of the photographic boundaries. Yes, we do. Very much so. And adding ambient sound collecting to our panoply of skills is one way of doing it.

Maika will be soon working with me during my Vietnam Photo-Expedition-Workshop, and I'll make sure she's up and running insofar as multimedia is concerned.

The other two projects I particularly liked during the final Foundry Workshop presentation were Ulises Baque's Oui Nan, and Cheryl Nemazie's Night At The Naga.

As per my latest blog post, the presentation evening ending the Foundry Photojournalism Workshop showcased all of the students' work, and I highlighted three projects which I thought were the best. Two of the three were multimedia, and here's one of these. Extremely well made and edited, this short multimedia piece elicited much praise from the audience.

The project was made and edited by Ulises Baque, a videographer based in Thailand. It was made for Henrik Kastenskov's multimedia class, and is about the oldest samlaw cyclist in Chiang Mai.

I intend to write a bit further about this, but the dichotomy of the multimedia and the non-multimedia projects during the Foundry's evening presentation could not have been more stark. Although some of the non-multimedia were interesting and compelling, few could compete for the audience's attention as powerfully as those presented from two classes: Henrik Kastenkov's Storytelling For An Online Audience or my own Multimedia For Photographers.

In short: multimedia (whether as audio-slideshows -with ambient audio- or more elaborate) is the future, and photographers must hop on its train if they want to remain on the cutting edge of their industry, and retain the attention of viewers. I heard this point of view over and over from students after the presentation night...wanting to put their still photography work into a multimedia format and start ambient audio recording.

Photo © Mervyn Leong-All Rights Reserved

During the long flight from Bangkok to London, I thought I'd write up a personal POV on the Fifth Annual Foundry Photojournalism Workshop (FPW) which was held in Chiang Mai from July 29 to August 4, 2012. This will be the closing post on the Workshop.

As my readers know,  FPW is an annual photo event held in various international locations, bringing well regarded photojournalists together to teach to emerging photographers and students who normally would not be able to afford workshops.

Firstly, as I always do, I tip my hat to Eric Beecroft, the visionary (he hates it when I describe him as such, but it's the truth) co-founder of the workshop, and the staff he assembled to support the logistics that such events require to function smoothly.

In my view, FPW Chiang Mai was the best organized of all the workshops that preceded it, although I have to stress that it shares that distinction with last year's FPW Buenos Aires. The availability of the very impressive (jaw-dropping, actually) facilities of the Chiang Mai University's Faculty of Arts were really a phenomenal attribute to this year's workshop.

I don't know if the other classes fared as well, but the two multimedia classes (Henrik Kastenskov's and mine) of the workshop were given large computer labs with about 50 iMacs, all connected to the internet, color balanced projectors and sound systems. Heaven on earth! Thank you, Chiang Mai Uni.

The choice of Yantarasri Resort as hotel accommodations for the instructors and staff was brilliant, as it was comfortable, posh, lovely and well run...plus within walking distance from the University where the classes and presentations were held....and I'm told it has a beautiful swimming pool. Its proximity to Nimmanhaemin, Chiang Mai’s most fashionable street, made it doubly better. After all, I got my daily fix of mango smoothies from a cafe a few steps away.

The location of Documentary Arts Asia for the portfolio reviews was grumbled about, since it wasn't very easy to find (at least for some map-challenged instructors), and it was space restricted as well. However, the availability of food, drink and masseuses during and after the portfolio reviews made up for the minor shortcomings.

More importantly, I have to laud the accomplishments of my class members. I don't really know how they managed it, but they were the fastest class I've ever taught in grasping Audacity and the concept of audio editing. I was taken aback at their speed/ease in using the nature of sound tools, so breathed a huge sigh of relief much earlier than I expected. 

Alycia-Ray Down, Ahmed Shajee Aijazi, Adelina Abad-Pedrosa, Cheryl Nemazie, Amean J. and Christina Malkoun in my class produced disparately-styled audio slideshows, reflecting their interest and individual personalities. From the faith-based to the human touch, they all shone...not only with the quality of their productions  but also with their enthusiasm and single minded approach. My style is perhaps different from other instructors in as much I don't dictate what sort of projects my students ought to produce. They make the choice, and provided they feel for it and like it, I go along with their choices.

Here's where I may get into trouble, but this is my blog and I answer to no one anyway: in my view, the best three projects were Maika Elan's (Maggie Steber's class) Ain't Talkin' Just Lovin' (a lovely photo essay on young people and their pets), Ulises Baque's Oui Nan, a touching web-documentary on 93 years-old rickshaw driver in the Old City (Henrik Kastenkov's class), and Cheryl Nemazie's Night of the Naga (in my own class), a web-documentary of a small tattoo parlor. Yes, the latter two are multimedia projects...and I am certainly biased. Multimedia is the future...whether as web documentaries or as simpler forms of multimedia.

Finally, I was very touched in getting this sweet thank you card from my class. I always learn more from my class participants than they do from me...so it was I who should've given them thank you cards...but I did share a bottle of excellent red Merlot wine sent to me by Nadim Bou Habib all the way from Lebanon. I also have to express my appreciation at the lovely scarf that Christina Malkoun gifted me, and which I wore in the group's photograph.

In closing, all I have to say is that I was glad to renew/refresh my friendship with so many of Foundry alums, and equally happy to make new friends amongst the students...and look forward to seeing all of them in the future.

Photo © Insiya Syed-All Rights Reserved

The Travel Photographer (Me) Presenting The Cult Of Durga...A Multimedia Photo Essay On Kolkata's Durga Puja...During The Foundry Photojournalism Workshop.

The presentations were held at the very impressive facilities of the Chiang Mai University.

As you read this, I'll be on my way to London.

Photo © Ahmed Shajee Aijazi-All Rights Reserved

Ahmed Shajee Aijazi is another graduate of my Multimedia For Photographers class at the Foundry Photojournalism Workshop held in Chiang Mai. Titled Under The Ramadan Moon, it's Ahmed's personal take on how the Muslim community in Chiang Mai observe and experience the month-long fast during Ramadan.

This is one of the three multimedia projects that were made in color, and Ahmed exerted much effort to gather its image and audio files despite fasting himself. Difficult under any circumstance, but Ahmed persevered, and completed a worthwhile project he ought to be very proud of.

Ahmed Shajee Aijazi is a Karachi-born photographer, with a formal background in art and design. Known as Shajee (Arabic/Urdu for "courageous"), he has been involved with professional photography for over five years now. His works have received regular press coverage in reputed papers like Dawn, Express Tribune and AAJ News.

Here's the multimedia work of Cheryl Nemazie, a photographer who attended my Multimedia For Photographers class at the Foundry Photojournalism Workshop in Chiang Mai.

She singlehandedly produced this impressive audio slideshow and spent hours, not only photographing at the Naga Tattoo parlor on Loi Kroh Road, but also with her laptop in class and elsewhere, adjusting the linear sequence of her photographs, syncing her multi layered audio track to the photographs, and preparing her photographs as best she could to preserve their integrity. During her first visit, since the tattoo parlor 's music system played the music of Johnny Cash, the employees obliged her during her subsequent photo shoots by playing it again, so as to have the same soundtrack for her project. During the project's various showing in class, we pumped up the volume so as to enjoy "Ring of Fire" and "I Walk The Line".

Cheryl attended the very first Foundry Photojournalism Workshop in Mexico, then the one in Buenos Aires last year. A successful art director and graphic designer for an international hotel chain, she decided to embark on a second career as a documentary and fine art photographer. Her recent exhibitions include Children Raising Children, Living in the Wake of AIDS, Lessons from the Ring: Main Street Gym.

Night At The Naga can also be seen on Vimeo.

Well, the Saturday evening presentations of the Foundry Photojournalism Workshop were held at the Chiang Mai University, and I can confirm that the evening was a total success.

My Multimedia For Photographers class presentations started with Near Sky, a monochromatic photo essay documenting the production of the Chaw Fah (symbols atop the spires of temples) by Alycia Down,  followed by Close Encounters of the Foundry Kind by Amean J...consisting of clips of Foundry students expressing their expectations from the Workshop, then followed by Loun Steve, a personal insight into the life of an American expatriate living in Chiang Mai, afflicted by Tourette disease and Huntington's Disease by Christina Malkoun.

Then it was Ahmed Shajee Aijazi's turn for his personal take on Muslim life in Chiang Mai with his Under The Ramadan Moon, which depicted the Islamic tradition of fasting during Ramadan, and this was followed by Aroy May? by Adelina Abad-Pedrosa, a photo essay of the vibrant street food culture in Chiang Mai, which was followed by Cheryl Nemazie's Night At The Naga, a monochromatic look (complete with the foot thumping music of the legendary Johnny Cash) of a tattoo parlor on Loi Kroh Road.

Three of the audio slideshows were in black and white, and three were in color. All of them different from a visual standpoint and content.

NB: It is indeed a small world. I met a photographer who turns out lived on the same street I am on now in New York City...she moved a few years ago, but what are the odds of that happening? And another photographer who saw me on Sudder Street in Kolkata last October...she also stayed in a nearby hotel and ate at some of the same restaurants. Incredible isn't it?

Most of the photographers with whom I spoke to were following my The Travel Photographer blog...which chuffs me a lot.

I'll be in Chiang Mai in a few days for the Foundry Photojournalism Workshop which formally starts in a week from today. I wasn't keen to haul my usual gear with me, especially with my stops in London and Bangkok, so I have just what you see in the picture.

Depending on whether I have the time or not, I intend to shoot a couple of personal projects in Chiang Mai so I chose to take a Leica M9 with an Elmarit f2.4 28mm and a Voigtlander f1.4 40mm, a Fujifilm X Pro-1 with a Fujinon 18mm and the Tascam DR-40 to record audio. All of this fit in my small Domke F-3X (with room to spare); a small and tough shoulder bag I've been using almost incessantly for a couple of years. I shouldn't forget to mention my iPhone4S, which will be useful for ah hoc photography.

Heck...the Tascam audio recorder is larger than either of these two cameras!!!

I will post sporadically during the coming two weeks...with most of the posts from Chiang Mai and the Foundry Workshop.

I am soon to travel to Chiang Mai for the Foundry Photojournalism Workshop which is to be held from July 29 to August 4, 2012 and where I am to teach photojournalists how to produce audio slideshows that rival in quality and content more elaborate multimedia productions, using their own images and audio generated in the field, and to produce cogent photo stories under the simulation of publishing deadlines.

In reality, it's a little more than that, since through class discussions, I also share my views on typography, aesthetics, titling, marketing, blogging, web design and branding...with a little business savvy thrown into the mix.

This my fifth year with the Foundry Photojournalism Workshop, and I'm glad that my Multimedia For Photographers has been on the curriculum since the Workshop's inception in 2008. I'm also glad my class in Chiang Mai is full. Since it involves practical hands-on instruction, as well as abstract guidance, it's capped at 8 students.

While this class is somewhat more advanced than the one included my own ongoing Photo Expeditions-Workshops (which are also capped at 8 participants), the objective of both is essentially the same.

Stanley Greene, in my view one of the best photojournalists in the business, just recently said “I honestly believe photography is 75 percent chance, and 25 percent skill. In accidents, we really discover the magic of photography” during the LOOK3 festival in Charlottesville.

I agree wholeheartedly. All of us will agree. We might differ as to the percentages (I'm more in the 85% in favor of serendipity camp), but the concept is right on the money. Whether in photography, photojournalism, medicine, chemistry, technology, biology, etc....accidents have led to fresh discoveries, new approaches and life changing products. No question about that.

But does this really qualify as "magic of photography"? If so, I have a lot of the same in a filing cabinet  somewhere...so I must be a magician...and I bet you are too.

There's no question the photographer involved is talented and has produced a lot of laudable work, but is this even remotely serious?!

I agree that serendipitous accidents can produce remarkable results in photography. For example, unintentional double or triple exposures often give us wonderful images...but not everything unintentional works...and ought not to be palmed off as such.

Are our aesthetic values so impaired by Instagram, Hipstamatic, etc filters that accidental so-called "half photos" are raved about? Are we expected to genuflect in agreement to the sacred cows of photography who applaud stuff like that? And imitate other influenceable photographers who inexplicably oooh and aaah about it?

I know I won't. Show me the full frames that follow these half photos, and I'll applaud if they're good.

I realize some won't agree with me. That's fine. They might be right. I may be right. I guess it's a matter of different personal perspectives...but let's keep our feet firmly planted on level ground for a change, and call a spade for what it is...a spade.

I thought I'd post the description of the class I'll be teaching at the forthcoming Foundry Photojournalism Workshop in Chiang Mai. And in so doing, I'm also encouraging those interested in photojournalism and photography to join this event, in which all the instructors are amongst the best photojournalists available.

This will be the 5th time I am to teach at the Foundry, and I'm thrilled to have been included since its inception in Mexico City in 2008.

I will teach a multimedia class that allows its participants to concentrate on their stories, rather than on the application. The purpose and aim of the class is to show photojournalists how to make quick work of slide show production, using their own images and audio generated in the field, to produce a cogent photo stories under the simulation of publishing deadlines. Most of the class’s time will be spent photographing in the field, while indoors time will be devoted to weaving the material into photo stories.

This class will require participants to produce two short (about 3 minutes -or less- each) photo stories: one of human interest (narrative and preferably in monochrome), and the other thematic
(travel-documentary for example, and in color).

Participants will be required to use Soundslides (or iMovie) software, and Audacity for audio. Participants must have Digital Audio Recorders (such as the Zoom H1). Soundslides can be downloaded in its trial format, while Audacity is a free sound editor.

Eric Beecroft just circulated this amongst the instructors, so here is the fresh news!

You can win ONE FULL FREE TUITION TO THIS YEAR'S FOUNDRY PHOTOJOURNALISM WORKSHOP in CHIANG MAI, THAILAND. 

Winning=ONE  free tuition AND an invite to the pre workshop faculty and staff private dinner. 

HOW TO PLAY: (read and keep the rules or you'll be disqualified)

1. You may post ONE PHOTO TOTAL on the Facebook Foundry Workshop Page. Thats one photo, over the 10 day span of the contest. 

2. The theme is 'Home.'  You can interpret that however you wish. There is no trick or secret, we aren't looking for abstract or concrete here. Just good photos. 

3. The winner will be decided by who gets the most votes/likes on their image on the Foundry Facebook page at the end of the 10 day period.  YOU MAY NOT LIKE OR VOTE FOR YOUR OWN IMAGE. 

4. Anyone and everyone can vote, invite your friends and family to visit the page and like the best photos they see.  This is open to the public.  You can come back and vote multiple times for different people's images.

5.  The voting is not meant to be a popularity contest.  We think that the best photographs will rise to the top of the entry pile. At least thats the plan. 

6. CONTEST BEGINS SUNDAY MAY 27 at 12AM MOUNTAIN STANDARD TIME.  AND ENDS JUNE 5 2012 at 7 PM MOUNTAIN STANDARD TIME. 

7. One winner will be announced within 3 days of contest ending. 

8. EVERYONE WHO ENTERS CAN TAKE 10%  OFF FULL FOUNDRY TUITION FOR THIS YEAR WORKSHOP! WE ARE SO GENEROUS! - THATS $100 dollars for internationals/westerners, and $50 dollars for locals/regionals. JUST BY ENTERING!

Those who enter can get this reduction in price by paying the reduced amounts via Paypal (for internationals- $875; for locals- $375) directly to:info@foundryphotoworkshop.org or pay via Western Union if you need to. 

9. Already registered/paid tuition ? Students already registered can enter but if they win they get free tuition to Foundry 2013. Where will it be held ? thats a surprise until end of Foundry 2012….

SMALL PRINT: READ IT!!!! 

We reserve the right to exclude photographers who don't fit the criteria of:

international/western photographers:  3 years working as a professional photographer or less 

locals- no restrictions on length of time worked as a photographer

We reserve the right reject entries that we feel are too manipulated, photoshopped, etc- its a photo contest not an illustration contest.

We will reject images that you steal from others. We don't even want you at the workshop if you do this. 

We reserve the right to reject entries that have multiple likes from the same person, should you figure a way to do this. 

We reserve the right to be the boss of the contest, and that means if anything else comes up, we reserve the right to reject and award the winning photograph based on principles of fairness, ethics and good old fashioned sportsmanship. We reserve the right that no one else has this right but us, since its our party. 

Cheaters never prosper. 

Photo © Kevin Frayer-All Rights Reserved

I've been waiting for coverage of this event! Just look at this flamboyant character!!!

The Sacramento Bee's photo blog The Frame features Kevin Frayer's remarkable photographs made during a major Sufi Muslim Urs festival in Rajasthan.

It starts off the series of these 36 photographs telling us that thousands of Sufi devotees from different parts of India annually travel to the shrine of Sufi Muslim saint Hazrat Khwaja Muinuddin Chishti, in Ajmer, in the Indian state of Rajasthan for the annual Urs festival observed to mark his death anniversary.

Along with other photographers, I've been photographing the Sufi traditions in South Asia for a while, especially trying to underscore the syncretic elements of this tradition with Hindusim, but to my chagrin I haven't been to this festival as yet...although I was in Ajmer a number of times.

Moinuddin Chishti is the more famous and revered Sufi saint of the Chisti order of the Indian Subcontinent. He was born in 1141 and died in 1230 CE, and is believed to be a descendant of the Prophet Muhammed. He interpreted religion in terms of human service and exhorted his disciples "to develop river-like generosity, sun-like affection and earth-like hospitality."

I cannot help but to piggyback this feature by adding my own work on The Possessed of Mira Datar; an audio slideshow of black & white photographs made at one of the most famous shrines (or dargahs) in Gujarat. The still photographs of this audio slideshow were presented at the Angkor Photo Festival last November.

And for those who follow my posts for clues to my future photo expeditions-workshops, this may well be one for 2013. It'll be as intense as the Oracles of Kali's festival, the focus of my most recent photo expedition in Kerala this past March.

Presidential election fever has been gripping Egypt for months, and it'll perhaps come to a conclusion in the coming few days...or in another few weeks, if a runoff is the case.

Along with many millions of Egyptians, I couldn't believe my eyes when watching the first ever presidential debate in the Middle East took place earlier this month. Yes, it was flawed...yes, the two frontrunners went overboard in hyperbole and off topic attacks one each other... but nowhere else in the Arab world, has such a spectacle ever been seen before.

Yes, Egypt's political transition has been farcical, messy, bizarre, chaotic, violent, unpredictable, and serious, ....however after centuries of Pharaonic kingdoms, various foreign occupations, colonialism,  royalty and dictatorships, Egyptians were now experiencing the teething pains of democracy. I raise my hands in wonder when I read articles by educated journalists and pundits who claim that after 30 years of Mubarak's regime, Egypt is experiencing democracy. It's not 30 years...but over 2500 years!

In recognition of this critical milestone in Egypt's (and in the world's) history, I feature Moises Saman's Egypt's Choice as published in The New York Times.

Photo © Diana Markosian-All Rights Reserved

An interesting glimpse in an area that a relatively few are really familiar with...Chechnya, was recently featured by TIME Lightbox.

Diana Markosian's Goodbye My Chechnya is such a glimpse into the lives of young Chechen women who witnessed the horrors of two wars, and are coming of age in a country that is rapidly rediscovering its Muslim laws and traditions.

It's particularly interesting to view Diana's photographs of these Chechen women and their traditions and compare them to Oded Balilty's photographs of the Jewish ultra orthodox communities, which included a series on a traditional Hasidic Jewish wedding.

Two separate religious traditions, often at odds with each other....and yet similar in so many ways. And as both photo essays are made of such compelling photographs, that the comparison between the two from an aesthetic point of view bring this point very clearly to the forefront.

According to Diana Markosian,  Chechnya is experiencing a wave of Islamicization since the collapse of the Soviet Union.  Religious dress codes are the rule, young (and polygamous) marriages are frequent and gender roles are increasingly conservative.

Photo © Ed Ou/Reportage by Getty Images (Courtesy The New York Times)

I enjoyed Ed Ou's account in the LENS blog of The New York Times of how he had stumbled across the unusual practice of camel jumping in Yemen.  The photographer, known for having documented most of the events during the Arab Spring, was in the country and decided to revisit the remote region of Tehama, which had been the site of one of his most memorable photographic experiences in 2009.

Camel-jumping is an event that takes place during celebrations in that region, which counts as one of the poorest in the country. It seems that in the early evening, 4 or 5 camels are lined up, the contestants take running starts and leap over the animals.

It got me wondering if there was any connection between this form of contest and the jumping of the bulls ceremony practiced by the Hamar tribe (and others) in the Omo Valley in Southern Ethiopia. The jumping of the bulls is more of a marriage ritual and ceremony than a contest, since the men performing it are about to get married...and should they fail to jump over the bulls four times, they won't be allowed to wed.

After all, Yemen and Ethiopia are geographically close to each other, and have very strong historical, commercial, religious and cultural ties.

Here's also a short video by Ed Ou of the camel jumping contests.

Chien-Chi Chang's work in this short video is a singular treat because it'll appeal with many of the street photographers who find New York City's Chinatown to offer the richest of visual opportunities...and I'm one of those.

This photo essay is made of a collection of photographs taken between 1992-2011, and each photograph is paired with a short clip of audio...which is a brilliant idea, and one I shall try to emulate as I walk the streets of NYC. I am certain that adding 5 seconds or so of high heels on the sidewalk of Bleecker Street and some pedestrian chatter for instance, will enhance the visual experience. I have already tried this yesterday, and it isn't as simple as it sounds.

But back to the Chien-Chi Chang's Chinatown. It is estimated that more than 100,000 Chinese live in the Canal Street are of NYC, which is the largest Chinese community outside of Asia.

The photographer spent 19 years documenting the lives of men from the Chinee province of Fuzhou who leave their wives and families to work as dishwashers, cooks, carpenters and day laborers in New York City’s Chinatown. they spend their days at work, usually in difficult circumstances, and live in overcrowded dorm like apartments where they cook, eat, sleep and dream of prosperity and of home.

Angkor Photo Festival is calling for submissions with a deadline of May 31, 2012!!!

The festival's 2012 program will present works photographed throughout the world through exhibitions and slideshows in Siem Reap, with no imposed theme.

The submissions guidelines and form contain all the information needed on how to submit work for this year’s festival. 

The festival will be held from December 1– 8, 2012 in Siem Reap, Cambodia. The deadline to submit the application is May 31, 2012, and all photographers will receive an answer by the end of July 2012.

Since its inception in 2005, more than 180 young photographers from all over Asia have been selected to participate in the annual free Angkor Photo Workshops. Conducted by renowned international photographers who volunteer their time, the Angkor Photo Workshops provide participants with firsthand training, invaluable exposure and a chance to perfect their art.

Over the years, the workshop has highlighted emerging talent from the region, and many previous participants go on to embark on successful photography careers both regionally and internationally.


I attended the Angkor Photo Festival last November and one of my photo essays The Possessed of Mira Datar was featured at the festival. 


I was greatly impressed by the Angkor Photo Festival's evenings at the FCC, and by the quality of the curating. Francoise Callier and Jean-Yves Navel were not only paragons of hospitality, but were instrumental in making a success of the event, along with the assistance of Camille Plante and Jessica Lim.

This is a phenomenal opportunity for all photographers, emerging and established. Submit your work for inclusion in the Angkor Photo Festival. You'll never regret it.

The Foundry Photojournalism Workshop has announced the winners of the Foundry full tuition scholarships for its 2012 Chiang Mai workshop.

Eric Beecroft, Director of the workshop, stated that the amount of entries was unprecedented, and the quality of work received was stunning.

The awardees are:

Arif Setiawan, Indonesia

Saw Banyar, Burma/Thailand

Barat Ali Batoor, Afghanistan

Ajit Bhadoriya, India

Enrique Leopoldo Benedicto Cruz, Philippines

Satirat Dam-ampai, Thailand

Nguyen Thanh Hai, Vietnam **

Ekkarat Punyatara, Thailand

Roger Anis, Egypt

Fabian Weiss, Germany

Ilkin Huseynov, Azerbaijan

Simona Pampallona, Italy

**Nguyen Thanh Hai is also known as Maika Elan, and I'm especially pleased she will be working with me on my Vietnam; North of the 16th Parallel Photo Expedition-Workshop this coming September.

If any of my readers are still on the fence with this unequaled opportunity to attend phenomenal classes with top-class photographers and photojournalists, and expand their network with their peers and others, I really can't urge you strongly enough to get off that fence and join!!!!

What would you get if you mixed a troika of world-class women photographers with the visionary founder of a photojournalism workshop with an expert on Ladakh...and asked them to lead a 15 days photography workshop in a remote corner of the Indian Himalayas?

You'd get the Travelling Lens Master Class...that's what!

The Masterclass Workshop is led by Eric Beecroft (the founder of the Foundry Photojournalism Workshop) and by Varun Gupta, a photographer with first hand knowledge of Ladkah and an alum of the Foundry), with the  extraordinary talents of Andrea Bruce, Maggie Steber, and Ami Vitale as workshop instructors (they are also instructors with the Foundry Photojournalism Workshop whom I know well and respect).

As mentioned on the workshop's website, this is a journey to one of the world's most epic locations, with full access to these professionals for guidance in the participants' photography career.

The dates of the workshop are from June 21 to July 5, 2012 and the journey will include some days in Balistan, in the very heart of the Karakoram.

This is a unique opportunity of joining some of the best Foundry Photojournalism Workshop instructors, so visit the Travelling Lens Workshop website for full details.