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| Photo © Kevin Wy Lee-All Rights Reserved |
"...a fortune teller told my grandparents that demon gods wished harm upon their first-born son. So when my father, the only son in the family, was born, they named him Pak Noi – Hundred Daughters – to fool the demon gods."
Kevin WY Lee is a photographer based in Singapore, whose creative work was honed in Australia and Singapore for more than 15 years. He's the founder of Invisible Photographer Asia (IPA); a well known multi-faceted platform for Street Photography & Visual Journalism in Asia. He also participated as a judge for various creative and photography awards including Singapore Creative Circle Awards, Angkor Photo Workshop, and KLPhotoawards.
Kevin's just recently featured a fascinating photo essay which chronicles the return of his father to his ancestral home in Zhaolong Li (mainland China) after a prolonged absence of almost 56 years. He was accompanied by his wife, his sisters and families as well as his only son, Kevin...who documented this incredibly touching and intimate experience, and recorded it for posterity.
Because of a fortune teller's tale, Kevin's father was named Pak Noi (Hundred Daughters), and it's utterly appropriate it's also the title of this very well done photo essay.
As I'm fond of stressing in my multimedia classes, a photo essay of that type is always successful if it has two main ingredients: access and intimacy. The Return of Hundred Daughters certainly has both.
I only wish it had an accompanying audio track to it...but perhaps not having one was a conscious decision by the photographer.
As I'm fond of stressing in my multimedia classes, a photo essay of that type is always successful if it has two main ingredients: access and intimacy. The Return of Hundred Daughters certainly has both.
I only wish it had an accompanying audio track to it...but perhaps not having one was a conscious decision by the photographer.
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